William Morris is perhaps best known today for the beautiful textile designs he created under the banner of Morris & Co, which continue to decorate homes around the globe. As one of the leading lights of British socialism, however, he is less well known, and this series of Morris's Manifestos seeks to highlight his extraordinary contribution to the literary canon on subjects socialist and artistic. Based on a lecture given at the Manchester Royal Institution in 1883, Art, Wealth and Riches is a thought-provoking essay that considers art as having educative and aesthetic value that should be shared with the many, rather than financial value that should be hoarded by the few. Morris asks: 'Is art to be limited to a narrow class who only care for it in a very languid way, or is it to be the solace and pleasure of the whole people?'

A far-sighted Victorian, William Morris was a pioneering socialist, book designer and decorative artist, founder of the Society for the Protection of Ancient Buildings, and author of intense short lyrics, long poetic narratives, and utopian-socialist prose romances. This annotated critical edition is the first attempt to make Morris's 42,000-word verse sequence accessible to a modern audience. The edition's scholarly apparatus also records the location of extant manuscripts and provides full scholarly collations of changes made in Morris's text during his lifetime.
Extensive reader aids for enhanced comprehension and a wealth of references relating the work to art, history, and politics are two of this book's most important features. In addition, sample illustrations and original initials provide a sense of The Earthly Paradise's original appearance and design.

William Morris is well known for his unmistakable tapestries, furniture, fabrics, wall paper and even stained glass. His work has now been used for over 150 years on many more decorative as well as functional products. The William Morris Celandine Embroidered Pouch from Galison features a delicate floral pattern embellished with hand-embroidered details on a conveniently sized zipper pouch so it can be used for everything from desk supplies to toiletries. - Size: 9.5 x 5 x 1.5 inches - Silk screen with azo-free dyes - Made with 100% cotton - Poly bag packaging with hangtag - Made in India

The Norse mythologies have become increasingly popular due their influence on modern film and television, including Marvel Studios' Avengers and renowned TV series Game of Thrones.

Difficult boss; annoying colleagues; boring work? Asked to work harder and harder; told by your manager to lie; tempted to do something bad? This book helps you think through the calling to be a Christian at work by showing how God can be unexpectedly present even in the most difficult people and dilemmas. Work can become a place where you can exercise your talents, positively influence your business, and be a witness to Christ just by being who you are.

William Morris is well known for his unmistakable tapestries, furniture, fabrics, wall paper and even stained glass. His work has now been used for over 150 years on many more decorative as well as functional products. The William Morris Playing Card Set features two standard size decks of playing cards in the famous Celandine and Seaweed designs. Each deck is in its own colorful box for safe keeping and the 2 sets are packaged in a keepsake drawer box. - Size: 4.25 x 5.75" - Includes: 2 Decks of 52 cards

With its radical blend of utopian socialism and science fiction, William Morris's novel News from Nowhere caused a stir when it was first published in instalments in the Commonweal in 1890. The narrator William Guest awakens to find himself in a utopian England in the 21st century. Industrial buildings have been transformed into a pastoral paradise; civilians are dressed in 14th-century costume; there is an abundance of openair markets and wooded areas and gardens; and money, prisons and divorce have been abolished. In this vision of a socialist future, individuals have the freedom to choose their own economic and creative pursuits. Two years after its initial publication, the novel became one of the first books printed by Morris's newly founded Kelmscott Press. A copy of this rare edition - only 300 were produced - is held in the National Art Library at the V this publication is a reproduction of that volume. Morris oversaw all aspects of the original production, from the selection of the paper and ink to the choice of his own Golden typeface and the position of the printed matter on the page. The result was a timeless triumph in book design and making. This new edition makes Morris's design available to a wide audience for the first time.

William Morris had a lifelong fascination with illuminated books. He collected thirteenth- and fourteenth-century manuscripts and became one of the foremost experts on the art of bookmaking and calligraphy. Aiming to resurrect a tradition that had fallen into abeyance with the invention of printing, he made eighteen illuminated books, using a variety of texts, during the course of his life. One of these, now held in the Bodleian Library, is a handmade edition of the Odes of Horace. The pages of this book, reproduced here in high-quality facsimile, are among the most intricate and ambitious that Morris ever created. Using a Renaissance italic style of calligraphy, he illuminated letters with delicate shades of gold and silver, and adorned them with floral decoration and miniature faces and figures. The openings to each of the four books of the Odes are stunning display pages on which Morris collaborated with the artists Edward Burne-Jones and Charles Fairfax Murray. The Roman poet Horace (65-8 BCE) wrote four books of lyric poetry in Latin which have subsequently been translated many times and have had an ongoing influence on Western literature. He combined descriptions of the everyday with the poetry of politics, patriotism, love and friendship, producing lines of beauty and wisdom which were very popular in Morris's day and continue to appeal in the twenty-first century. This facsimile edition is presented in a blind embossed slipcase featuring a detail from one of Burne-Jones' paintings in the book with a companion volume containing an introduction to William Morris's manuscript and an English translation of the Odes.

'One of the very few necessary and inevitable utterances of the century.' William Morris, in the Preface. The Nature of Gothic started life as a chapter in Ruskin's masterwork, The Stones of Venice. Ruskin came to lament the 'Frankenstein monsters' of Victorian buildings with added Gothic which 'The Stones' inspired; but despite his misgivings the original moral purpose of his writing had not fallen on stony ground. The Nature of Gothic, the last chapter of the second volume, had marked his progression from art critic to social critic; in it he found the true seam of his thought, and it was quickly recognised for the revolutionary writing it was. As Morris himself put it, The Nature of Gothic 'pointed out a new road on which the world should travel'; and in its indictment of meaningless modern labour and its celebration of medieval architecture it could be called the foundation stone of Morris's aesthetic and purpose in life. 40 years after he first read it, Morris chose Ruskin's text for one of the first books to be published at his Kelmscott Press, using his own Golden type. It is one of the summits of his career, and one of the most beautiful books ever published. Few books can so completely sum up an era. The Kelmscott Nature of Gothic encapsulates the meeting of two remarkable minds and embodies their influence in word, image and design. But more than that, Ruskin's words are increasingly relevant for our times. In this facsimile edition, the first ever made of this rare book, the reader can fully appreciate their importance and their legacy, as understood by one of the most potent visual imaginations to have worked in Britain. In this enlarged edition, essays by leading scholars, Robert Hewison (who was one of Ruskin's successors as Slade Professor of Fine Art at Oxford University), Tony Pinkney (Senior Lecturer at Lancaster University) and Robert Brownell (lecturer, stained glass maker and author of Marriage of Inconvenience) explain the importance of this book for Ruskin, for Morris and for us today.

"This astute and long overdue reappraisal provides a lucid overview and a wealth of contextual information. An excellent resource." -- Shannon L. Rogers, Saint Joseph's University, Editor, Newsletter of the William Morris Society in the United States"through his insightful introduction and careful selection of documents, [Arata] has created an invaluable edition of News from Nowhere." -- Peter Stansky, Stanford University

For over 150 years William Morris has created beautiful and unmistakable fabric and wallpaper. The William Morris Celandine Embroidered Pouch from Galison features a delicate floral pattern embellished with hand-embroidered details on a conveniently sized zipper pouch so it can be used for everything from desk supplies to toiletries. - Size: 9.5 x 5 x 1.5 inches - Silk screen with azo-free dyes - Made with 100% cotton - Poly bag packaging with hangtag - Made in India

40 beautiful designs by one of Victorian era's most influential designers. Modestly priced, copyright-free collection of richly detailed patterns, faithfully reproduced from rare 1890s publication. Superb designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, more.

"This astute and long overdue reappraisal provides a lucid overview and a wealth of contextual information. An excellent resource." -- Shannon L. Rogers, Saint JosephaEURO (TM)s University, Editor, Newsletter of the William Morris Society in the United States "through his insightful introduction and careful selection of documents, [Arata] has created an invaluable edition of News from Nowhere." -- Peter Stansky, Stanford University

Keep favourite recipes at hand yet neatly filed in a decorative Galison recipe file box. Eight glossy tabbed dividers organize recipes into Fruits and Vegetables, Breads and Pasta, Eggs and Dairy, Soups and Salads, Meats and Poultry, Fish and Seafood, Desserts, and Beverages. Fifty 4 x 6" fill-in recipe cards are included, and printable blank recipe card templates are available online. The hinged box measures 6-1/4 x 3-1/4 x 8".

Presents the first extended collection of new William Morris essays in several decade The first collection of new Morris essays in several decades, gathered from manuscripts, newspapers and long out-of-print contemporary sources Follows Morris's development from a youthful art reformer and anti-imperialist through his years as a skilled political theorist and widely influential pan-socialist presence Adds to our understanding of Morris's views on competition, war, violence, social justice and the need to protect our natural environment William Morris's socialist essays remain uncannily relevant for our time, as he addresses issues of inequality, precarity, and the need for pleasure and creative fulfilment in work and life. This scholarly edition traces Morris's opinions from his early insistence that all must have access to art in its broadest sense, through his years as a leader and theorist of the nascent British socialist movement. Finally, as Morris became the elder statesman of the socialist/labour cause, these writings demonstrate his efforts to reconcile competing factions in the service of common aims.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 1 contains Morris' early verse, including The Defence of Guenevere (1858), as well as prose contributions to the short-lived Oxford and Cambridge Magazine.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 2 is given over to The Life and Death of Jason (1867), Morris' popular narrative poem about the mythical hero.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 3 contains the first part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 4 contains the second part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 5 contains the third part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 6 contains the fourth part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 7 contains translations of Icelandic literature, namely the Grettis saga, the Voelsunga saga and several songs of the Elder Edda.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 8 contains Morris' journals of his travels across Iceland in 1871 and 1873.